AURALiC Aries G2.2 Wireless Streaming Transport

The ARIES G2.2 Wireless Streaming Processor is designed to sit between your digital sources & your DAC, this can be a digital source that is on your Wi-Fi Network, or one that is hardwired to the G2.2's digital inputs.

All digital audio-related circuits, including the Galvanic USB, have their individual power supplies, maintaining an extremely low noise level of just 0.8 microvolts - an 80% reduction from G2.1 model.


Sale price$8,995.00
Options: Standard

Key features

Heavy Duty Chassis

low-noise power supply

galvanic isolation dac output

optimised digital listening

Multiple Digital Inputs

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AURALiC Aries G2.2 Wireless Streaming Transport

The ARIES G2.2 has undergone a complete interior redesign, with 90% of the electronic components being brand new.

This cutting-edge product boasts several new technologies that have been introduced to take their performance to the next level, all enclosed in AURALiC's elegant UnityChassis II enclosure.

Optional NVMe Internal Storage

With the new Tesla G3 processing platform in place, ARIES G2.2 has upgraded its internal storage from traditional SATA based SSD or HDD to the most advanced NVMe (Non-Volatile Memory Express) SSD storage option. This upgrade offers numerous benefits, including outstanding data transfer speeds and dependability, ensuring a seamless experience for storing and playing digital music.

Thanks to the Direct Memory Access (DMA) technology, NVMe storage offers significantly faster transfer speeds and lower latency than traditional storage options, resulting in improved performance and faster access to stored music. Compared to the G2.1 model, the ARIES G2.2 now offer a copying speed that is ten times faster when transferring music from Ethernet to the internal storage.

Compatible with Leo GX.1

ARIES G2.2 aims to be the best possible digital audio source, achieved by the implementation of a dual 60fs Femto clocks - one for 44.1x and another for 48x sampling rate frequencies. These audio-optimised clocks have extremely low close-in phase noise and can greatly enhance sound quality, setting a new standard for signal timing.

For the ultimate performance, adding LEO GX.1 will deliver a true state-of-the-art digital source experience.

New Galvanic USB Isolation

Building on the success of the previous generation, AURALIC is proud to introduce the second-gen Galvanic USB in the ARIES G2.2. This new isolator has improved DAC compatibility, functioning in the same way as a regular USB port with hot plug/unplug support. The signal quality and jitter performance has been further optimised, resulting in noticeable sound quality improvement.

In addition, users can now choose to enable or disable the USB port power supply to the DAC through software, which ensures an even cleaner signal path.

Customer Reviews

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David L.
Auralic Aries G2.2

I had got to the stage where I wasn’t listening to much music because of some niggling dissatisfaction.
This led me to make a few upgrades to my Electrocompaniet based system. First was a Musical Fidelity DAC.
The biggest upgrade was in the form of Focal Sopra No2 speakers. Wow! I connected them with Purist Audio Design Musaeus speaker cables. LPs, CDs and SACDs were now fantastic and I was beginning to go through my old collection.
Finally, I decided to changed an old Cambridge Audio CXN streamer for Auralic’s Aries G2.2 for the radio and the streaming services Tidal Qobuz and Idagio. A lot of change over 3-4 months.

So how does the Aries G2.2 go in all this. Very well, very well indeed. If you want to know more then read on. These are just my personal first impressions after 120 hours burn in.

The Good:
It’s heavy. If weight is quality then this is quality. Well made, good looking with a large screen.
Well packaged and comes with white gloves to handle your new toy. A good manual to learn how to use it.

The sound.
I play in bands and orchestras so I know what live music should sound like and that is my hi-fi goal, I want absolute realism. My comments refer to well recorded and mastered material.
The Aries G2.2 is highly resolving, detailed, but not sterile or clinical sounding. It is organic and natural. Instrument timbres are as close to live as you can get. Solo cello is there in the room as if it was live. There is air and transparency aplenty. Subtle harmonics are there in spades. I had been struggling to work out what the bass instrument was at the beginning of “Tank” from the Cowboy Bebop soundtrack. Now I can hear it is an acoustic bass guitar with phosphor bronze strings played with a pick.
The quality between different human voices is clear even in dense harmonies, a bass clarinet sounds much different to a baritone sax. A well recorded jazz track is astonishing.
Soundstage is excellent. Depth and width are in abundance. Every instrument or voice is in its own place, beyond the edges of the speakers and from front to back. Each instrument has a beginning and an ending with natural decay. To appreciate this listen to the whole album “Set” by Youssou N’Dour. There is space around all instruments and voices. Marcus King Band albums are glorious.

Dynamics are amazing. Classical music seems to have even greater difference from pianissimo to fortissimo than before.
One thing I was surprised at was the dynamics that contemporary music demonstrated. We get used to listening to compressed recordings, but I was really struck by the way the compression seems to have been completely taken away. Listen to Marcus Miller playing “Trip Trap”. The sound grows and grows without any obvious limit. The same with “Partition” by Beyoncé. The sound builds and builds effortlessly. There is no apparent ceiling to the dynamics. And in that building sound Beyoncé’s voice never gets lost in the instrumentation. Real energy.

Drums are now very believable, the snap of the snare, the movement of air by the bass drum, the tap of wood on crash, ride or hi-hat or rim shot.

Treble is brilliant, sparkling and extended. The piccolo is as piercing as it should be, yet sweet and entirely natural.

Mid range is brilliant, believable and balanced. Instruments and voices are rendered extremely naturally. And there is real energy.

Bass is detailed, tight and very extended. Bass instruments are clearly defined. Bass guitar is clearly differentiated from kick drum and synth bass. The bass pressurises the room without being bloated or overpowering. Some recordings, particularly rock and metal in the 80’s seem to have recessed bass, particularly kick drum. “Skyscraper” by Dave Lee Roth is now balanced and powerful. You can feel it in your body, as you should.

The Bad:
There is no remote control. This is a separate purchase.
The Auralic Lightning DS app on iOS and iPad is ok. There is Tidal and Qobuz, an internet radio channel vTuner that I find is very poor. There is also TuneIn radio which is ok but not the easiest to navigate. All the reviews praise the Lightning DS app, but compared to Cambridge Audio’s StreamMagic it really is second rate. Occasionally the app has lost touch with the Aries and I have had to reboot both phone and Aries to reestablish connection. I have not used the iPad much, but I feel this may be a better experience.
The screen is clear, but does not give as much info as the CXN it replaced.
Because of the app and the poor internet radio usability on the app I would drop a five star review to 4.5. The sound is 6 out of 5!

Having said all that, the bottom line is that I am now playing more music, going through as many play lists that I can, seeking out old and new music and really, really enjoying everything I hear. Just astonishing how much fun I am having.

The Auralic Aries G2.2 rocks every musical genre and I wo...

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